Anna Prudhomme is a photographer, writer, and curator. After studying sociology and political science, she earned a master’s degree in journalism from Goldsmiths, University of London. Her writing takes the form of interviews, reviews, and articles, published in outlets such as Numéro, Lampoon, C41, TRAX, Technikart, The Steidz, and Apartamento. She also writes first-person narratives, published in the London-based magazine Paperboy in 2023 and 2025, as well as science fiction stories featured in S&M.

In 2021, she was co-editor-in-chief of the third edition of Speciwomen, a New York-based platform supporting women and LGBTQIA+ artists. In 2024 and 2025, she curated two group exhibitions—Still I Rise and Je suis le feu qui hurle—at Pavé d’Orsay gallery in Paris, in support of the École Monique Apple, an organization that aids refugee women. She was also invited to curate the fourth volume of KIDZ, a large-format publication offering carte blanche to 50 emerging artists from around the world. The book launch took place at Lafayette Anticipations, where she led a talk titled “Resonance: From Inspiration to Creation, Can We Still Innovate?”

Anna Prudhomme learned photography from her father, a war reporter. She produces editorial series for magazines, artist portraits and album covers, and collaborates with fashion houses such as Sonia Rykiel and Nike x Rent Club. Her first solo exhibition, Arachnées, was presented in October 2024 at The Window gallery in Paris. Arachnées is a photo series highlighting ten creative women from the Paris scene. Shrouded in veils and caught in webs that may well be their own, the series explores the figures and constructs of femininity. She is currently working on a series of self-portraits that explore the aestheticization of female death using ancient printing techniques.