Anna Prudhomme is a photographer, writer, and curator. After studying sociology and politics, she earned a Master’s in Journalism from Goldsmiths, University of London. Her art writing spans interviews, reviews, and criticism, with contributions to Numéro, Lampoon, C41, TRAX, Technikart, The Steidz, and Apartamento […] In 2023, she published a first-person piece in the London-based print magazine Paperboy and wrote a four-page feature on new masculinities for the Parisian magazine Technikart.
In 2021, Anna co-curated the third edition of Speciwomen magazine, a New York-based non-profit supporting women and LGBTQIA+ artists. She was the curator of the group exhibition Still I Rise at gallery Pavé D’Orsay in 2024, which raised funds for École Monique Apple, an association supporting women refugees. She was then invited as a guest curator for the fourth volume of KIDZ, a hardcover book that offers carte blanche to 50 emerging artists worldwide. The book's launch event took place at Lafayette Anticipations Foundation, where she led a talk titled “Resonance : From Inspiration to Creation, Can We Still Innovate?”
Anna learned photography from her father, a war reporter, and like him, she primarily works with film cameras. She creates portraits for magazines such as Lampoon and MERDE; for artists (Samuel de Saboia, Chloé Saraméa, KUSS); and collaborates with fashion houses including Sonia Rykiel, Samuel François jewelry, and Rent Club. Her first exhibition, Arachnées, debuted in October 2024 at The Window Gallery in Paris. She currently focuses on a self-portrait series using ancient printing techniques.